Several actors emerging from the stage tend to be theatrical, but very seldom has Gopy been so.He did add a tinge of theatricality to while emoting the role of Justice Balagangadhara Menon in the Bharatn-directed “Sandhya Mayangum Neram”.
It was deliberately done since the character was of derailed mind due to an intense sense of sin.
Read More
An ex-employee of the Kerala State Electricity Board, who is now living on his pension and wife’s salary is one of the few actors in India who have acted in languages other than his mother-tongue and won laurels abroad for both. Gopy was recently conferred the Best Actor Award at the Tokyo Film Festival.” Cinema in its pure form is not yet born,” says the balding thespian who was first introduced to cinema by Adoor Gopalakrishnan in Swayamavaram , and subsequently acted in the same director’s Kodiyettam .
Read More
Slowly but surely, cinema is getting rid of elements borrowed from literature, theatre and music.One day there will be pure cinema.I hope to be closely associated with film makers travelling towards that direction.As an actor, I hope new demands will be made of me.Right now, the most excruciating thing I’m asked to do is to feel very sad and lonely on a set jam packed with people.Which is very easy to perform because I can switch off in a second and really believe that I have landed on a deserted island.
Read More
സിനിമയെക്കുറിച്ചും ഗോപിക്ക് വളരെയേറെ പറയാനുണ്ട് .നാടകത്തിൽ നിന്നും സംഗീതത്തിൽ നിന്നും കടംകൊണ്ട അംശങ്ങളാണ് ഇന്നും സിനിമയ്ക്ക് ആധാരം.ഒരു ദൃശ്യ -ശ്രവ്യ മാധ്യമമെന്ന നിലയിൽ തനതായ ഒരു ശൈലി ഇനിയും സിനിമയ്ക്കുണ്ടായിട്ടില്ല. കഷ്ടിച്ച് ഒരു വയസ്സാവുന്നതെയുള്ളൂ സിനിമയ്ക്ക്. അതുകൊണ്ട് ഇന്ന് സിനിമയിലുണ്ടാവുന്ന നല്ലതും ചീത്തയുമായ ശ്രമങ്ങളെല്ലാം തന്നെ വരും തലമുറകൾ ശൈശവ ചേഷ്ടകളായി കണക്കാക്കാനും തള്ളിക്കളയാനും മതി, ഗോപി കരുതുന്നു.
Read More
ഞങ്ങൾ നാടകത്തിന്റെ വർത്തമാനത്തിലിറങ്ങി. ജി ശങ്കരപ്പിള്ളയും അദ്ദേഹത്തിൻറെ ശിഷ്യനായി ഗോപിയും പ്രവര്ത്തിച്ച പ്രസാധന ലിറ്റിൽ തീയേറ്റർ, കാഞ്ചനസീത – സാകേതം- ലങ്കാലക്ഷ്മി – നാടകത്രയം, സി എൻ – സി ജെ എന്നിവരിലൂടെ ഉരുത്തിരിഞ്ഞ തനതു സങ്കൽപം, നെടുമുടി വേണു, ഗോപി തുടങ്ങിയവരുടെ കളിയരങ്ങായിത്തീർന്ന കാവാലത്തിന്റെ തിരുവരങ്ങ് നാടകസംഘം, കടമ്പയിൽ നിന്ന്, എന്തികൊണ്ടോ കടന്നുകയറാൻ അറച്ച് നില്ക്കുന്ന തനതു നാടക പ്രസ്ഥാനം. ചതുരവടിവിൽ മാത്രം നിന്ന് ഞെരുങ്ങുന്ന നാടകക്കള രികൾ, ഇങ്ങനെ ചർച്ച സജീവമാവുകയായിരുന്നു.
Read More
Bharat Gopy in conversation with Sriprakash Menon of Screen Magazine, as he elaborates on how acting essentially boils down to natural talent, on his selection of the roles that come his way and how he has been blessed to have been offered a variety of onscreen characters.
To him, the director will be the chief architect of the film always, and the more challenges that is thrown the actor’s way, finer is the outcome and the output, to be appreciated by the audience.
Read More
Most small-minded actors fall in love with their own image onscreen, their minds are static.They fail to criticize themselves or listen to their criticism.The thing I saw while I shot the scene is what I see on the screen later – no difference.
Only now I have nothing to do with that image, whatsoever. A character once performed, must be entirely annihilated.
Read More
The award-winning effort in Kodiyettam was only the second and his swan-song for the screen could be the role of a circus company manager in ‘Thambu’, directed by Aravindan, the tall, bald, unassuming and soft-spoken Gopy hinted. Quite unlike other role-hunting, individualistic, selfish, mercenary stars, Gopy is concerned about the total impact of a film. His concept and approach to the medium are also different. Success depends on the co-operation of the artistes and the technicians, he says.
Read More
Mani Kaul, celebrated film maker interviewed Bharat Gopy in 1979 for the Times of India, immediately after his winning the National Award for the Best Actor. Read the full interview here.
Leave a Tribute
-
OrEnter Your Full Details