Many Faces, Many Moods


But in an age where plot and characterisation had taken a backseat, he was a refreshing change, albeit in a film that saw the advent of ‘art’ film into the lexicon of Malayalam cinema.

His ‘Shankarankutty’ , a simpleton who ran away from life’s responsibilities including his wife and child, and his journey into self-realisation is a milestone in Malayalam, nay, Indian cinema.

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